Local Lens: Reflections of Singapore’s Changing Cityscape
To see more of Singapore’s diverse architecture through the lens of a local, follow @_yafiqyusman_ on Instagram.
“The places I can go are limited,” says Instagrammer Yafiq Yusman (@_yafiqyusman_) of his tiny island-nation home of Singapore, “but the photo possibilities are limitless.”
Yafiq, who studied architecture in college, enjoys capturing Singapore’s rapidly evolving urban landscape through puddles left by the city’s tropical climate. “Singapore is a modernized country, but there are still places where you can see the olden days,” says Yafiq. “The alleys in Little India, China Town and Boat Quay are a few of my favorite spots and great for puddle shots.”
For more modern photo opportunities, Yafiq favors Raffles Place, a square surrounded by the city’s tallest buildings. And for those seeking respite from Singapore’s fast-paced metropolis, he suggests tracking down a hidden reserve called Punggol Beach. “The best time to visit is during the sunset. It’s beautiful.”
Alain Le Garsmeur, Georgia (1983)
Written by OnoBello.com
Born 1981, Adolphus Opara started out working in a then major art gallery in Lagos where he gained ample experience. His passion for photography grew as a result of the constant contact he had with both local and international practitioners when he worked at the art gallery. For the first 3-4years of his career as a photographer, he travelled well around the country and continent documenting different festivals and events of cultural show.
He later delved into documentary photography where he has been nominated and selected for master classes and workshops around Africa. He has covered assignments for notable organizations and his works have been published in magazines, books and websites that include; The Financial Times (FT), Bloomberg, BBC, Associated Press (AP), The Independent, Private magazine, Time Out Nigeria, British Airways Highlife Magazine, World Press Photo Enter, Klang Sehen, New African Magazine and Nigerians Behind the lens.
In Photos: The Agbogbloshie Problem.
Waste management in many African countries is a major problem. From littering, to proper sewer disposal, many muncipalities often ignore their residents needs in these areas. In fact, to blame everyday citizens as the source of these problems would not only be missing the true source of the issue, but you would also be ignoring just how useful many of the individuals and communities across Africa have become in countries were the authorities responsible have turned a blind eye to the side-effects of poor waste management.
Ghana is one such country. Over the past several years, various images and documentaries have highlighted one particular area of the country where highly toxic waste, in the form of ill-disposed electronics from Europe, the US, India and China is dumped illegally in Ghana’s Tema Harbour and recycled, in what is also a lucrative business for some.
In what was once a wetland and recreation area, e-waste now mars the former picturesque landscape, causing mass-scale pollution in the process. Agbogbloshie is the world’s biggest e-waste site that the around 40, 000 settlers have nicknamed ‘Sodom and Gomorrah’. Most of the ‘workers’ here are young men aged between 7-25 who sift through the e-waste in search of resellable materials, such as copper, earning around $2.50. As a result of the intense and toxic labour they engage in, many of these young men succumb to a myriad of diseases such as untreated wounds, back and joint problems, damage to their lungs and other internal organs, eye issues, chronic nausea, anorexia, respiratory problems, insomnia, and worst of all, cancer.
The images above are from a photographic study carried out by Kevin McElvaney and featured on Al Jazeera’s website.
What I love most about these photos is that, whether intentionally or not, McElvaney features most of the single individual photos on a make-shift ‘podium’ (resourcefulness, once again) almost as if to say that these people are above the rubbish that surrounds them. Not only in a literal sense, but in a figurative sense, too.